Just what is the real art and science of great audio? The author narrows the discussion down to a one-word solution.
Gary Zandstra · January 19, 2016
There’s no doubt that delivering an accurate (not to mention good-sounding) mix without missed cues is the right blend of both art and science.
Knowing the science helps in setting up the mix and making sure that everything is routed properly and the right things plugged in to the right parts of the system.
Knowing the art helps to creatively bring all of the various sounds from the instruments and singers together to deliver a pleasing sound without any distractions.
Sounds so simple, doesn’t it? Not so fast…
I love the title of the book written by audio’s beloved patriarchs, Don and Carolyn Davis, “If Bad Sound Were Fatal, Audio Would Be The Leading Cause Of Death.”
If that title were true, I would not be here writing this, and the unfortunate thing is that I would be dead from self-inflicted wounds! Over the years I’ve found that I can usually attribute the reason for the bad sound that I’ve mixed to one word: anticipation.
On the science side, anticipation means:
1) Being generally prepared, having the right tools, and being aware of what is going on at the event.
2) Check over the system to make sure everything is working.
3) Check all the inputs to make sure they are working and patched correctly.
4) Visually reviewing the board, making sure things are routed were they are supposed to be, the channel EQs are on and aren’t set too crazy, etc.
5) Having a backup emergency microphone on stage that everyone knows to go to if his/her particular mic fails.
And on the art side of things:
1) Thinking ahead, planning to boost the levels for solos.
2) Keeping my eyes on the stage to make sure mics are turned on ahead of people speaking.
3) Having my headphones handy so I can pfl channels to check anything, and quickly.